The Ring

I rather like both these films. The Ring is very much a 1920s period-piece, but Hitchcock throws in occasional odd filming angles that seem ahead of their time. Number 17 does have a plot (despite disbelief elsewhere!), and there's a summary on the box. The scene where the hero and heroine are handcuffed to the bannister of a gallery in the Number 17 house is very Hitchcock. Worthwhile, but it needs a better transfer than this.


Interesting, to say the least....   February 6, 2003
melvin (Central Il)
5 out of 6 found this review helpful

I tend to dwell more on the technical side of the these Hitchcock Laserlite DVDs, than the movies themselves and this one may end up being that way for no better reason than the fact that this movie is just plain confusing! My recent viewing of the film "Number 17" was only the second time I'd ever seen it and I can easily assure any reader of this essay that I am more confused than I was after the first viewing. I can't decribe the plot because I don't really know what's going on. It starts with a tramp and a seeming gentleman finding a dead body in an old house, then the victim's daughter happens upon the two men, the body disapears, some jewel theives come to the house and cause havoc, then somehow they all (including the dead man who's not dead) end up in a train which leads to the grand finale: a chase between the train and a tour bus that comes out of nowhere. The special minerature effects at the end have often gotten flack for looking fake, but I believe now, as I did with my first viewing, that they don't look any worse than King Kong's stop motion animation on top the Empire State Building.

The second feature, "The Ring," is a lesser known and surprisingly entertaining Hitchcock silent drama about a circus ticket girl torn between two potential lovers: one a prize fighter, the other his sparring partner who happens to be the only man that can beat him. The plot sounds typical and forgettable, but don't let that fool you. Hitchcock adds a lot of very innovative visual flair to the film and the acting is pretty passionate not overly dramatic as a lot of silent acting performances tend to be.

The DVD transfer of "Number 17" is fair. The sound is full of annoying hiss which can be reduced by turning off the surround sound and turning up the bass up on your stereo, the contrast is annoyingly jumpy (too bright in some scenes and too dark in others,) however, it does remain flat for the most part, which is better than scenes being washed out all the time like some film transfers. Of "The Ring," I understand that not everyone can handle the silent treatment, but the intelligently chosen mucial accompaniment by Laserlite makes the movie an easy one to get through, even though the film was transferred at a slow speed, making the movie about 15 miutes longer than it was intended to be.

Rumor is Hitchcock was forced to do "Number 17" and even though it's far from his best film, it's almost just as far from his worst film too, and since it's obscure enough that it probably wont get a full-on restoration any time soon, it deserves a better treatment than what Laserlite has given it. But, to Laserlite's defense is the fact that they didn't have to release it at all and the low price tag on the disc plus the addition of "The Ring" makes it a good collectible for the budget-minded Hitchcock nut.

3 stars to Hitchcock for his confusing but, at times, entertaining film "Number 17," and his entertaining Silent treat "The Ring" and 3 stars to Laserlite for trying but not trying harder.