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Bob Dylan | 
| Artist: Bob Dylan
Label: Sony
Category: Music
List Price: $11.98
Buy Used: $6.68
You Save: $5.30 (44%)
New (38) Used (12) from $6.68
Rating:  32 reviews
Sales Rank: 3950
Format: Original Recording Remastered
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 94239
UPC: 827969423929
EAN: 0827969423929
ASIN: B0009MAP90
Release Date: June 21, 2005
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Sealed item. Like NEW. 30 Day Satisfaction Guarantee. Quick International Airmail!
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| Tracks:
| • | You're No Good - Bob Dylan, Fuller, James | | • | Talkin' New York - Bob Dylan, Dylan, Bob | | • | In My Time of Dyin' - Bob Dylan, Traditional | | • | Man of Constant Sorrow - Bob Dylan, Traditional | | • | Fixin' to Die - Bob Dylan, White, Booker T. Wa | | • | Pretty Peggy-O - Bob Dylan, Traditional | | • | Highway 51 Blues - Bob Dylan, Jones, Curtis | | • | Gospel Plow - Bob Dylan, | | • | Baby, Let Me Follow You Down - Bob Dylan, Davis, Gary [1] | | • | House of the Risin' Sun - Bob Dylan, Holmes, Terry | | • | Freight Train Blues - Bob Dylan, McDowell, Mississip | | • | Song to Woody - Bob Dylan, Dylan, Bob | | • | See That My Grave Is Kept Clean - Bob Dylan, Jefferson, Blind Le |
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| Customer Reviews: Read 27 more reviews...
 Heart in music... November 29, 2008
Robert (San Jose, CA)
There's two kinds of people in the world, people who get Bob Dylan and people who don't. Bob Dylan's first album portrays his very soul in its rawest confusion and crisis. His heart cries out to the world in every one of these songs. This is truly one of music's greatest albums, and if you really do appreciate music, this album is a must have.
 Plays Guthrie but the real Dylan pokes through. October 10, 2008
Mark Shook (USA)
A majority of the album is him and his talent but about 1/3 of the album is him singing as country folk in the same vein as Woody Guthrie does. That part of the album annoys me for the most part it is not his persona at all, his personality is way more complex and deep. The Rolling Stones kind of did the same thing, the difference is they were just doing covers of other people's songs. They broke out of that habit like Dylan after a couple of albums.
On Inventing Bob Dylan June 19, 2008
Alfred Johnson (boston, ma)
In reviewing Bob Dylan's 1965 classic album Bringing All Back Home (you know, the one where he went electric) I noted that it seemed hard to believe now that both as to the performer as well as to what was being attempted that anyone would take umbrage at a performer using an electric guitar to tell a folk story (or any story for that matter). I further pointed out that it is not necessary to go into all the details of what or what did not happen with Pete Seeger at the Newport Folk Festival in 1965 to know that one should be glad, glad as hell, that Bob Dylan continued to listen to his own drummer and carry on a career based on electronic music.
Others have, endlessly, gone on about Bob Dylan's role as the voice of his generation (and mine), his lyrics and what they do or do not mean and his place in the rock or folk pantheons, or both. Here we are going back to the early days when there was no dispute that he had earned a place in the folk pantheon. The only real difference between the early stuff and the later electric stuff though is- the electricity. Dylan's extraordinary sense of words, language and word play has been a constant throughout his career. If much later (in the 1990's) he gets a bit repetitious and a little gimmicky in order to stay "relevant" that is only much later after he had done more than his share to add to the language of music.
In this selection we have some outright folk classics that Dylan covered as well as a couple of his own that will endure for the ages like those of his early hero Woody Guthrie's have endured. In fact this album is as much a tribute to Woody as it is a wake up call that a new folk talent has come on the scene. Dylan gets better in latter albums as he develops his own voice but this mainly cover debut album shows his raw talent coming out of the gate. We have the traditional House of the Rising Sun, Pretty Peggy-o, Man of Constant Sorrow, Elizabeth Cotton's Freight Train and a very good cover of Blind Lemon Jefferson's See That My Grave is Kept Clean. Song to Woody though kind of expresses what Dylan is trying to do as he first hits the New York folk scene and see if he can stay in Woody's company. We know the answer was eventually yes.
 Historically Important, Musically Not So Much May 21, 2008
Dave Blanchard (Cleveland, Ohio)
1 out of 1 found this review helpful
This album is more of a curiosity than anything else. Every great artist has to start somewhere, and while Dylan hardly distinguishes himself from the rest of the folk-singing pack in his debut, he certainly doesn't embarrass himself either. He's not the "Dylan" everybody thinks of today, although it wouldn't be all that long till he'd emerge - after he worked through his growing pains on this effort, he would mature as few other artists ever had into an accomplished singer/songwriter with his second album ("The Freewheelin' Bob Dylan"). There are basically no standout performances on "Bob Dylan," and had he never followed it up, this album certainly would've faded into obscurity and been completely forgotten by the time of the British Invasion. That didn't happen, of course, but for all the genius that he'd show on subsequent albums, there are only occasional hints on this album that he'd develop into a legend. The only two original songs are "Talkin' New York," which almost can be taken literally since he talks most of the song rather than sings it, and "Song to Woody," which never really comes together as a song but at least is interesting. Most tellingly, the only song on this album that made it onto his "Biograph" career retrospective was "Baby, Let me Follow You Down," which is a fine song, well played and sung by Dylan, but was his take on another guy's take on somebody else's song. To put this album into historical context, play it all the way through, then listen to "Freewheelin'" and then consider that the second album came out just a year after this debut. And then look at those young eyes staring back at you on the cover, which seem to be saying, "I'm not going to be singing about Pretty Peggy-O for much longer."
He was great from the beginning! April 28, 2008
Paulo Alm (Rio de Janeiro, Brazil)
1 out of 1 found this review helpful
Just bought the remastered 'Bob Dylan'. Really great, one of the best from the beginning and it sounds amazing! There are so many good songs on it and Dylan's voice is so strong... It's a crime to say he couldn't sing, some people just don't get it. I'm totally pleased and riding along.
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